Sacconi Festival

Brief foray down to the south coast this weekend for a recital as part of the Sacconi Quartet's festival in Folkestone. Now in its fifth year, the festival sees the quartet joined by various guest musicians each year. On Sunday afternoon Cara Berridge (their cellist) and I played music by Fauré and Schumann, and the Debussy sonata, which was followed by Ben Hancox (the quartet's first violinist) and Tom Poster playing the Elgar violin sonata. Wonderful to finally see the festival in action after hearing so much about it: it clearly has a very loyal following, and real 'buzz' to it!

Nonsuch Singers

Have been invited to be guest conductor for the Nonsuch Singers next term. Looking forward to joining them!

Summer plans

The summer is shaping up to be an action-packed one: a week down at Dartington as one of their resident accompanists; a few days up in Aldeburgh as assistant conductor / chorusmaster on a production of Curlew River (in collaboration with a Japanese Koh Theatre project); a week in Denmark with The North Sea Vocal Academy; a week in Somerset as the pianist for Matt Lowe's new cello course; a few days in Versailles with The King's Consort playing continuo for Messiah performances; a big collaborative project based in Skegness as part of The Berkeley Ensemble, for the SO Festival and Latitude Festival; and a number of song recitals in various summer festivals. Looking forward to it all!

Music at St Peters

We completed the third season of Music at St Peter's concerts last night: Schubert's Shepherd on the Rock, Brahms' clarinet trio, songs by Walton and Strauss, the Debussy cello sonata…. A wonderful mixed bag of a programme! Aoife Miskelly (soprano), John Slack (clarinet) and Cara Berridge (cello) were a great team to perform with, so it was a buoyant end to a year of recitals, in addition to come-and-sing events and our first schools' project. Keep checking to see what's next.

Royal Academy of Music

Finished teaching at RAM for the year, as exams kick in so early for the students. It's been great to work with the undergraduate singers this year, alongside various involvements in the opera department!

John Ireland anniversary celebrations

Very productive rehearsal patch and run-through concert down in Somerset with members of The Berkeley Ensemble, in preparation for next week's John Ireland portrait concert at The Forge. Ireland's music is an intoxicating mix of the English pastoral style and French impressionism and this is a wonderfully varied programme to mark the 50th anniversary of his death: beautiful songs, luscious piano music, a substantial clarinet trio, plus the (non-piano!) sextet for clarinet, horn and string quartet. Petroc Trelawney will be introducing the concert and it's supported by The John Ireland trust.

Come-and-sing Vivaldi

Conducted an exuberant come-and-sing Vivaldi Gloria in the Music at St Peter's series last night. Beautifully enhanced by the singing of Aoife Miskelly and Fiona Mackay (stepping in at the last minute for the indisposed Sarah Shorter) and the organ playing of Oliver Lallemant, the intensive afternoon workshop with singers ranging from the experienced to the complete novice produced a characterful and enjoyable performance. Well done all! Looking forward to welcoming Aoife back on 12th May to sing in the next recital in our series.

Grange Park Opera

In the middle of a solid week of playing for chorus music rehearsals for Grange Park Opera. Their two separate choruses, led by the indefatigable and exacting Cameron Burns, are preparing four operas for this summer's season: Idomeneo, Madama Butterfly, Queen of Spades, and Eugene Onegin. The singers are doing valiant battle in particular with the Russian language, and both choruses are already sounding on fine form!

Dorset, Cheshire, Cambridge, Oxford…

A little trip round the country this week, leaving the cello course in Dorset slightly early, for a concert near Warrington with James Turnbull. The Live at St Wilfrid's series take place in the picturesque Grappenhall Village, and seems to be extremely well supported. From there to Cambridge, to teach on the Oundle For Organists 'Advance' course (for current or incoming organ scholars, working on the range of broader skills needed as an organ scholar – in my case, how to play the piano without 'sounding like an organist', how to play for auditions, how to play for or lead rehearsals from the piano, and how to accompany). Always interesting to reflect on how my own training as an organ scholar has set me up so well for the range of things I do now, even though they seem at first glance to be unrelated! And then to Oxford, to give one of the popular Oxford Coffee Concerts in the Holywell Music Room, with recorder player Ian Wilson (Head of Wind at Eton at professor at Guildhall). Always a joy to be back at the Holywell, something of a second home having studied at Oxford and been so involved with the Oxford Lieder Festival! And finally back to London….

Cello land

Back at the annual International Cello Course at Bryanston as one of the resident pianists for the week (along with John Thwaites, Head of Keyboard at Birmingham Conservatoire, and JP Ekins, soloist and chamber musician extraordinaire). Where a typical day might involve playing the Shostakovich, Rachmaninov, Prokofiev, Chopin, Fauré and Brahms sonatas plus a few hefty concertos, across nine hours of lessons, it's certainly hard work, but wonderful to be totally immersed in such rich repertoire. Playing for lessons given by Pierre Doumenge and Sandy Baillie is always an inspiration, and there was some truly excellent cello playing. Lovely to give a concert with Matt Lowe, JP Ekins and guest star soprano Louise Alder as part of the week, too!